
Israel Ministry of Foreign Affairs

Food for Thought
The Museum for Islamic Art in Jerusalem shows how Arab cuisine and Israeli food evolved
ーBarry Davis (Jerusalem Post)
Residents across the Middle East are always on the lookout for a tasty dish of Hummus, but was it always like that? What about falafel? Tehina? What was the founder of Islam, Muhammad’s favorite dish? And why does Middle Eastern rice have lentils in it? That, and much more, can be learned about at the A World of Flavors exhibition which opened at Jerusalem’s Museum for Islamic Art. The show takes an overarching look at the evolution of cuisine across an expansive hinterland, stretching from Iraq in the East to Spain in the West, from the advent of Islam in the 7th century CE up to the Ottoman Empire, with the odd reference to the present day. The exhibits take in a broad array of visual aesthetics, including dishes of all sizes, shapes, quality, hues, and functions, as well as artwork and, amazingly, copies and originals of ancient cookbooks.
A millennium elapsed after the dawn of the Islamic Era. Back then, unlike today’s information era, aka the digital era, it was generally a matter of international trade and other links, and the odd military conquest or two, to facilitate the circulation of new ideas from foreign lands.
As the Islamic Empire spread across the Middle East and North Africa, and into Spain, the incoming culture began to make inroads on local lifestyles that naturally included eating habits. Curators Adi Namia-Cohen and Limor Yungman decided, wisely, to provide the visitor with some global and culinary bearings from the outset. In the first display section, there is a large map on a wall showing the area around the Mediterranean and east to Iraq. The tastefully designed geographic spread gives a basic idea of what dishes came from where and when. Yungman, who has a Ph.D. from France in food history, says “The exhibition opens with the map that tells the story of the Arab conquests, from the 7th century [CE], through six raw ingredients – rice, saffron, cinnamon, orange, sugar and eggplant”. The idea was to offer the visitor as varied an ingredient base as possible. “There are spices, fruit, and a vegetable”, Yungman continues, “They are the markers of this cuisine, and they spread to other places in the wake of this conquest”.
There are other fruits in the display mix – such as dates – which, according to the Koran, the prophet Muhammad promoted as a healthy, nourishing, and satisfying bite. It was also an inexpensive snack. Islam originated from a largely arid land where palm trees were probably one of the few items of vegetation that thrived. Camel’s milk and grain were also easily available in the Arabian Peninsula and were generally used to make porridge.
Meanwhile, over on the upper crust side of society, rulers had their own court cooks, with the head chef entrusted with ensuring that the head of state not only enjoyed his repasts but also got himself plenty of wholesome nutrition. Interestingly, women who were taken to serve in royal courts as slaves also found work in the kitchen, and some of them even attained key positions. There was also more to being a chef than just creating attractive and flavorful dishes. The cooks served as gastronomic cultural agents and played an active role in court cooking contests, gastronomy-themed poetry, and cookbooks
There are several surprise items in the show, such as the lengths to which cooks back in the day went to vary the ingredients they stirred into hummus. One might have thought that in more existentially challenging times, people went more for simplicity. Not so, it seems. “There is a cookbook from Cairo with a recipe that shows how much seasoning and spices they used for hummus dishes”, Yungman notes. “It is one of the earliest recipes for hummus in existence”. Hummus is a sort of lingua franca among all the countries of the region, political conflict notwithstanding. “Arab cuisine spread and became a connecting element across the whole region under Muslim occupation,” Yungman explains. Much like other areas of the arts and culture, such as painting, architecture, and music, the prevailing line of dietary thinking was - often literally - spiced up by local nuances, hence the region ends up with an abundance of variations on the base comestible.
“There are all sorts of ingredients they used which we don’t use today,” Yungman points out. “That is exactly what this exhibition sets out to show - how rich this cuisine was in terms of ingredients, flavors, and colors. We might have images in our heads of camel caravans and a simple lifestyle. But there was such a wealth of dishes back then”. One should note, however, that was not the case across the board. There was, Yungman explains, a clear differentiation between what the country folk tucked into and the food the city dwellers ate. “The rural fare is much simpler, but the urban cuisine was very rich”.
That very much applies to the range of Israeli fare. As a definitive cultural melting pot, with many Israelis with roots in all sectors of the globe, Israel probably has one of the broadest stretches of foodstuffs in the world. Certainly, tourists with any appreciation of quality cuisine have a hard time leaving the country. Over the decades, the waves of immigration, mostly by Jewish people coming from all over the world, have introduced to the varied groups the culinary maelstrom, each bringing with them their cultural and edible heritage from home, and beefing up the local offerings in the process.
That’s enough to make your eyes pop, get the adrenal juices running freely, and push the salivary glands into overdrive. Bon Appetit.
Jerusalem Post:https://www.jpost.com/must/article-751783/
<Exhibition>
"Tastes of Heaven Tales from the Arab Kitchen"
The Museum for Islamic Art (Jerusalem)
Date: 14.7.23 ~4.5.24
Curators: Dr. Limor Yungman, Adi Namia-Cohen
Creator: Edna Assis

Barry Davis (Culture writer for the Jerusalem Post)
I have been writing about the arts and culture in general for over 30 years. I write about art exhibitions, in Israel and elsewhere, that draw on a wide range of influences and styles. I address numerous disciplines and fields, including classical music, ethnic music, opera, jazz, blues, rock and pop, theater and film, and literature. As the son of a Holocaust survivor, I also write extensively about the Holocaust. In addition to my ongoing work for the Jerusalem Post, I have written for various publications around the world, including the Hebrew-language daily Maariv, the Chicago-based Downbeat magazine, Melbourne, Australia-based The Age, and the Jewish Museum Vienna. (Ⓒ Yossi Zwecker)